Kristina of Uppsala
by
Book Details
About the Book
The underlying theme of the sequel is the conflict between the
analytic and intuitive methods for the prediction of future forms
of language. The first of these is exclusively the creation of
Kristina Lucia Winberg (KLW), a Swedish mathematical genius who is
at the early stages of her Ph.D. studies at Stockholm. In her
view, the intuitive approach to LDA (Language Development
Analysis), which is favoured by almost all experts in linguistics,
including a certain Dr. Thomas Thompson from Oxford, is worthless.
The Big Bang occurs when the message is presented vicariously by
KLW's nominal supervisor, Professor Edberg, at the final major
address of a language conference in Sweden's capital city.
Shortly before the explosion, Thomas had been introduced to
Kristina, and from that moment onwards she pervades his existence.
When, later, he discovers that she, and not Edberg, is the
originator of the conceptual bombshell, he is reduced, by reason
of his prejudices, to a state of incomprehension. Thus in his new
life, he is presented with an impossible emotional load. He
lightens this burden by publicly declaring at the end of the
conference that now he regards analytic methods as the only way
forward. In the subsequent Winberg - Thompson research
collaboration, Thomas is the linguist of which Kristina has need
if she is to show her theory in action. As it happens, he lacks
the qualities that are necessary for the advancement of
revolutionary ideas, and herein is the reason why the project
fails. Moreover, paternal tyranny and gender prejudices drive
Kristina into the wilderness. Second rate (male) researchers
achieve fame and fortune by stealing her intellectual property
while she experiences rejection and premature death.
About the Author
The author has had a variety of employments as a mathematician which span industry, secondary and higher education, public examining, both nationally and internationally, and especially, independent research. He is a strongly computer orientated person, an inevitable consequence of involvement in applicable mathematics. He estimates that, in particular, not more than a tenth part of the UK population has any idea as to what real mathematics actually is, and hence the prevalence of the identification of it with number crunching on the large scale. Necessarily, therefore, he perceives fully committed mathematicians, in their professional lives, to be itinerants in a foreign country, and in consequence, are forever walking across minefields of ignorance and mindless misrepresentation. As it is, the well informed minority positively assert that mathematics is infinitely more than arithmetic, both in essence and extent, but are often driven near to despair by the common, but erroneous supposition, that arithmetic competence necessarily implies mathematical ability. Beyond that, is the mistaken belief that mathematics is almost exclusively a man's world. This popular misapprehension, which is a recurrent theme in this novel, is refuted both by the author's genealogical experience, and also, and much more conspicuously, by the research achievements of female mathematicians in the contemporary world and formerly. The author has a wide range of non-mathematical cultural interests. In particular, he has a strong affinity with music and is of the opinion that most of the very best compositions came to be before 1792.