Over seven hundred and fifty films are commented on in The Best Films of Our Years, and each of them is seen in the context of nine others that appeared with it in the year of its American release. I hope that the book conveys some of the excitement I felt, in the thirties and forties, in following year-by-year the careers of such American directors as John Ford, Frank Capra, George Cukor, and Preston Sturges. Of the excitement, in the fifties, of keeping up with the latest successes of Alfred Hitchcock, David Lean, and Billy Wilder. Of the excitement, in the sixties, of waiting through the years for the new films of Federico Fellini, Ingmar Bergman, and Akira Kurosawa. And of the excitement, in the seventies, of teaching film courses, of meeting on campus Roberto Rossellini, King Vidor, and George Stevens, of inviting Robert Altman to address my class the very week M*A*S*H opened, and of spending late hours talking with young directors and their wives under the surveillance of the remarkable woman who dominated three decades of film criticism, Pauline Kael. I hope that some of that history will come to life for you as you make your way from year to year in the pages that follow.