INCEPTION
After my father disappeared—and my funding—I returned to waiting tables and closet writing. I moved to California, got married, and had two amazing kids, and through the process of filling these new roles, I got lost. A notable amount of time passed before I was encouraged to put aside my fear of rejection and expose myself publicly—to tell a story that would put some loose ends to rest.
While figuring out how to put these words together with a binding, I was asked whom I was writing this for; I took that as a sort of insinuation that perhaps no one would want to read this book. After some thought and inner examination, I knew the answer to the question; I decided it was me. I am the giver and the receiver; I wrote for myself. It’s my truth, simply put. It became my opportunity to assemble the chaos of my past into a viable means of self-expression—a slather of peace in my room of tortures.
I wrote it as though I were building a house, all the while planning its housewarming party. I had some difficulty staying focused. Building the foundation before putting up curtains, so many memories, emotions, and incidents I’d buried resurfaced. I found myself going off on tangents, so, in the end, I’d let myself go, then reeled myself in by re-editing over and over.
In a sense, it was like preparing a recipe, adding and subtracting ingredients until the flavor is satisfying. As a writer, I have potential. But I am hard on myself. Foolishly, I feared what others thought; I trusted their judgment more than my own. It seemed everyone wanted to edit my thoughts, perhaps because they hadn’t spoken their own. In this process of exposing myself, I found I could be easily crushed; I concealed it well. When you consider yourself to be an outsider, whether by virtue or proxy, you define yourself by others—at least I did.
It’s a precarious, unbalanced way to exist. I found myself sighing a lot, and, eventually, I couldn’t breathe. I carried a paper bag around with me for a long time feeling hypersensitive to criticism from people whose outlook shouldn’t matter to me. I proceeded fighting my roundness into their square fittings; it never felt right. I attempted several means to overcome self-deprecation; most were unsuccessfully. Then I decided, “Screw it—what’s the worst thing that could happen?” So people walked away saying, “What was she thinking?”
I didn’t care; the reality is I am already a success in my life. I have a great family, which I prize caring for, a landscape of friends and acquaintances, and a home that is my haven. I laugh, cook, garden, read, socialize, and play with my husband, kids, and dogs. We are healthy, have a strong faith, and are complete in the knowledge of our comforts. I am kind because it feels good, and, slowly, I am learning to receive. Anything else is like fries with a garden burger—the burger is good on its own; the fries are merely enhancers.
With these revelations in place, I focused on where my comforts lie. Two activities I felt sufficiently confident doing are writing and cooking. I express myself through both; together, they have become my scaffolding. I don’t pretend to be a genius at either. I am a woman grappling with healing, and embracing and valuing mortality; I get that it is temporary.
I have a willingness to keep going, which is why I wrote this. I meet a lot of people haunted and ashamed by their struggles. I have been stalked by shame myself—and still am, though less and less. It felt good to open the attic and release its haunting inhabitants.
I invite you to leave any ghosts, fears, or shame in the blank pages I have provided at the end of this book. I have and will continue to expose them all—perhaps through fiction as to protect my personal life, but I will do it. I have a feeling that if I am done with this process, I may not need to be here anymore. So I embrace all of the old and new inhabitants. There are definitely ones who are stubborn and need to go, so I continue.