Sample observation, from “Face of
Smoothness” Page 66:
Tiny balloons can look big when
they float right nearby. There is
literally an infinite number of things around you right now that you either
don’t know about or are totally ignoring because they don’t seem important to
you, and there are a few things that pop into mind more frequently that might
directly affect you more. Also, there
are as many weights below your level as there are balloons above, an optimist only
tends to look upward more and only look down to try to avoid weights from
pulling down on them when they can be avoided.
If one’s vision is very clear,
and can submerge sight (but not being) down below the plate of glass, the
individual can observe the reflection of darker incidents approaching while
still looking up. This is convenient as
long as one can distinguish the difference between reflections and actual
events. But if placing oneself above the
plane to look only down, one could be fooled into believing a good incident is
its dark reflection, and avoid it to let it slip away forever. Or one may only realize an incident is a
positive one when it is too late to react to it. Very clear vision allows a person the ability
to see through all of the obstacles to maintain focus on the most important
events farther away.
There are three ways to handle an
obstacle, plow through it, go around it, or backtrack and go a different
way. When the obstacle is big and soft,
the first choice is the best one. That
is when the weight
Sample fantasy (from the
standpoint of a crippled boy from the 18th century), from “Snowglobe” Page 227:
So detailed were the dream worlds
everyone shared with me, it would take millions of years describing it all.
Some of the corridors had
thousands of doors along them multiple levels high, like a large city street
with doors along every face. There were
all kinds of colors and smells, fabrics and sounds. The amount of ramps and stairways winding up
through the storefronts was unimaginable.
The ramps and staircases were pretty much useless since almost everyone
floated most of the time, but they were more of an invitation than a
necessity. Also, they were meticulously
positioned so that the full breadth of the creator’s artistically designed
imagination could be seen from the most perfectly accenting viewpoints. I clearly remember that at least one of the
stairways moved. The stairs started out
slow at the bottom and moved very quickly up through the middle, and then
slowed down near the top. There was a
convenient little landing, and the stairs moved up again into another
direction. Even the effect of the motion
enhanced the beauty of the surrounding creations.
Some of the larger rooms inside
this large underground superstructure were completely round as a ball - floor
to ceiling! You could walk up the curved
floor until you were walking up the wall toward the ceiling. Then walk a full loop until you were back on
the bottom. But where exactly was the bottom was a complete mystery even to the creator of
this marvelous structure! Vivid colors
melted all the windows of all the beautiful shops together. Bridges spanned over valleys of spaces
between the long runs of storefronts.
With all of the fun toys to play with, reality became a blur. There was such a warm feeling in every place
that even the most timid stranger could feel at home. There were so many different worlds tied
together that your head would spin after just a few minutes of flying around. Everyone was so nice to me, and wanted to
take me on a personal tour of their very proudest achievements in their places.
One of my favorites was old man
Harold’s tour. He was funny about
everything he said, like my magic air-ship was probably an old mule, and I made
it invisible so no one would have to see how ugly it was. His world was the most beautiful of the three
I had seen so far. Contraptions filled
with bouncing beads of light, and designs weaving through the air in flower
like shapes. Through a tube of
glittering stripes was an entire ocean, and inside a huge clipper ship was his
Sample of descriptive demise
(about a suicide passage to a specific afterlife), from “Gateway” Page 258:
. . .arms
straight out to the side and leaned forward.
I could look only straight ahead again, and my heart was forcing its way
up into my throat. Like the bird, I just
couldn’t let a second thought come into my mind. I continued to lean until I reached a point
where I knew there was no turning back.
The weight of my body became heavy as I started tipping over forward
into oblivion. The wind rushed past my
body and brushed my hair back as I opened my eyes to see the soft colors of the
valley melt into steel gray in the shadows below. I was almost horizontal when I pushed off a
little with my feet, keeping my knees locked. The fear and regret were already pouring in
like floodgates had crashed open.
Adrenaline blasts to the tips of my fingers and toes as I am suspended
for an eternal instant. The instant
shattered a thin layer. The sound of the
air grew louder as my body accelerated away from the edge of the cliff
above. I kept my eyes fixed on the stone
target below. Butterflies thrashed in my
stomach.
I wanted to take in a deep breath
out of habit from diving, but then remembered I would no longer need any
air. My breath was taken away as I fell
in scream filled with horror. My stomach
jumped, and my heart was all the way up inside my mouth.