Among many Native American tribes, when a young girl had her first menstruation it was seen as a joyous occasion and one of solemn promise. Because she was now becoming imbued with the strength of the female, the young teen or pre-teen girl was, for the most part, isolated and only allowed to come in contact with other women. It was believed that females were too powerful during their menstruation period to be out in the villages as their blood flow might affect the outcome of wars and hunting -- both of which greatly impacted their survival.
For the Apache, the White Painted Woman survived an enormous flood to become the first of all humans, unlike the biblical Genesis account wherein Adam -- a man, was the first human. For the Navajo, it was Changing Woman (Esdzaanadleehe), a Holy Person instrumental in the tribe’s creation, who had the first kinaalda (menstrual period). The legend is that the Holy People sang her into a new level of her life. These rites of passage ceremonies last four days but there is at least a month of preparation to bring the budding pubescent girl into womanhood. Her fertility is celebrated with dancing and body painting, feasting, and she is seen as the incarnate Changing Woman or White Painted Woman during that time.
The Apache commence their four days with a Sunrise Ceremony. During this time the young woman is said to take on the healing powers of White Painted Woman, signifying a critical moment in her young history. Each day she must run to the four directions of her village at sunrise and the attendants who are participating and facilitating the rites of passage must also run with her. The elder medicine woman sings special songs for her and she is blessed with sacred cattail pollen by villagers as she passes through, and they in turn ask her blessing upon them, as she has been imbued with healing powers. At night, the Ga’an or Crown Dancers, believed to be powerful protector spirits of the Apache, come down from their mountain homelands and dance with the candidate. Much like the Gelede Dancers or Egun-gun of the Yoruba, masked dancers arrive to lively drumming, bells ringing, chanting or singing, and they are adorned in elaborate and sometimes fierce-looking, brightly colored costumes. The intense energy they exhibit and generate among the villagers alone indicates the awesome nature and largess of the power of the protector spirit or ancestral spirit, which has materialized on the earthly plane to commune with the candidate and villagers. The air is charged with contagious excitement and it is an impressive site to witness -- a fitting beginning to the ceremony as anticipation mounts during the preparation time and as the days begin to unfold.
On the fourth day of the Apache ritual, the candidate is painted with white clay -- symbols of the White Painted Woman are reproduced all over her body. Her attendants, facilitators and guests join in a dance procession behind her as the holy people sing or chant a song that signifies she is now a woman. The vibration is such that it’s as though the Earth Mother herself hallows the ground as she gives her blessing upon one of her daughters.