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The Swamp Outlaw: The Civil War Story of Henry Berry Lowery and his North Carolina Indian Raiders

David Ball

 FormatISBN Price  
This Book is Available Paperback (5x8)9781585004089 $ 12.95  
About the Book

This historical novel is based on a true Civil War story of a handful of Indians and Blacks under the leadership of a young Indian named Henry Berry Lowery. They saved themselves from death at Rebel hands by hiding in the impenetrable North Carolina swamps, from where they terrorized and controlled an entire county. Over their 18-year reign, they outwitted the best efforts of Federal, Confederate, and State Militias, the Ku Klux Klan, hundreds of vigilantes, and the most violent bounty hunters from all over the country; none could bring the Swamp Outlaws to bay. The bounties on their heads were the largest America had ever heard of, even though the Swamp Outlaws were just a handful of boys and young men trying to survive.

They became the Robin Hoods of their day, stealing from rich plantations to feed and clothe the county's poor.

Their leader, Henry Berry Lowery, remains to this day a hero to his people, the Lumbee Indians who still inhabit the region.

The Lumbee, a mixed blood tribe, descended from the European survivors of Walter Raleigh's 16th-century Lost Colony, who to survive their first brutal winter in the New World joined forces and blood lineage with the local Indians.

The Swamp Outlaws' adventures range from frighteningly violent to absurdly funny to deeply moving. The story includes two of the most remarkable women in southern history, the chief outlaw's wife and his mother. Yankee prisoners broken out of a Rebel prison in South Carolina, escaped slaves, religious ministers of good and others of evil, and an astonishing encounter with Geronimo. The outlaws and their adventures are seen up close through the eyes of the actual reporter from the New York Herald who was sent to cover the story, who stayed to become a member of the gang, and whose life was changed forever by the story he and just come to write about.

The novel is based on oral and written histories, information from the gang's descendants, old newspapers, court records, and diaries.

HISTORICAL BACKGROUND: at the start of the Civil War, Indian boys barred from the Confederate Army were snatched from their families and sent to coastal labor camps. In neck-high seawater they were forced at gunpoint to work 20-hour shifts erecting submerged armor protection for coastal forts.

Boys worked until they dropped -- and often died -- from exhaustion. Many washed out to sea. A yellow-fever epidemic struck, raising the death rate to 75%. Indian boys arrived daily and survived about a week.

To avoid such a fate, the Lowery brothers flee into the most dangerous part of the endless swamps, where no one can find their secret hide-out despite a decade of searching. They live like the Lost Boys amidst the dense swamp and terrifying wildlife that protect them by frightening off outsiders, but their absence leaves their family suspect and endangered. A rag-tag North Carolina militia along with the Ku Klux Klan hounds the brothers' family. One horrible night they drag the father and an older brother from home, blindfold them in torchlight, and in full view hearing of the mother and sisters, shoot them dead.

In the swamp, the boys know they are responsible for what happened. Their mission -- beyond revenge -- becomes the protection of the rest of their family along with everyone else in the county who needs protecting. They take on the task of guarding, feeding, and clothing the county's innumerable poor. Through brilliantly planned and executed night raids and forays into armories and great plantations, the Lowery brothers survive and dominate, leaving their oppressors outraged -- but not quite helpless.

About the Author

David Ball is a playwright, screenwriter, and author of two best-selling non-fiction books: Backwards and Forwards, a standard text for training actors and directors, and Theater Tips and Strategies for Jury Trials, a ground-breaking guide for lawyers. Dr. Ball is also one of the country's leading jury trial consultants, providing guidance for attorneys conducting death penalty and other serious crime cases, as well as a wide variety of major civil cases. His stage plays have been produced in New York and in theaters across the country and around the world. He has written two films, one of which remains a cult classic overseas. He has worked at a wide variety of jobs including book reviewer for Entertainment Weekly, Peace Corps volunteer in Afghanistan, rehabilitation trainer for brain-damaged patients, Professor of Drama at Carnegie Mellon University and Chair of Drama at Duke University, Literary Director at the Guthrie Theater in Minneapolis, Adjunct Professor of Law at Campbell University, professional stage director and producer, and, as a teenager, taxi driver in Connecticut and New York City (his favorite job so far). And his daddy was a Prohibition-Era mountain bootlegger.
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He took George’s church shirt from the wall and carefully wiped Wesley’s blood off his knuckles, in case it carried Yellow Fever. "He didn’t put up no fight. No wonder they won’t make injuns into soldiers, we’d might as well give up." He threw the shirt into the fire. Wesley’s blood sizzled. Harris motioned his men to remove Peter, who dropped the mule whip and walked out on his own. "This here’s a military action, don’t y’know," said Harris to George, "so I order you to stay inside. For your convenience, I’m leaving two guards to remind you. They will have to shoot if you go out."

"This ain’t right, Mr. Harris," said George.

"Who promised right?" Harris said.

Then everyone was out and the door was slammed upon George Lowery. He stood alone in the cabin that had seen years of his children die, and where, when his wife had given out, he had come back alone.

Often he had sat next to her when they returned from putting down one of the tiny bodies. Now the dim oil lamp provided no more comfort than it had on those occasions. The lamp was a cut of glass said to be rare and possibly from England. Its light illuminated the clay dishes on the mantel, glinted against the charred fireplace and the iron cook pots, and reflected off the copper pans that the boys had hammered out of metal bought from a drummer. It silhouetted the timber-framed bedstead that had held the wasted marriage of George and his wife. George smashed the glass lamp into the wall.

A long-bristled broom hung in a corner. It was of swamp sedge, its decorative air hiding the drudging years that had worn away half its length. Nearby hung an iron poker brought by George’s wife as part of her dowry. He had used it to bang coffin lids down over her babies, then, finally, over her. He had thought its next use would be over himself, wielded by one of his three strong sons. But they, like the others before, were beyond saving. His failure was complete. And he knew the men outside hoped he would emerge so they could shoot him and be done guarding.

George looked around the tiny cabin that had brought his family only death. He thought it was his fault; he must have missed something he ought to have known or discovered out. He sat by the eating board and quietly sang the hymn his wife had sung while burying each child:

Sweet Jesus in adversity
Do not abandon, stay by me,
Sweet Jesus in my every breath
Guide us in life, take us in death.

George set the poker down on the table by the mule whip.

Our love for Thee we will employ;
When life is more than we can bear
We’ll hold Thee lest we be destroyed,
And follow ere we’re in despair.

After each tiny funeral his wife had returned to this room to shed tears she would not allow in public. Now his own tears came, shed not only over her or her last child lost, but for every child who had come to this cabin through the Heaven’s gate of the woman only to return, for this place was not fit.

George opened the door. The guards raised their rifles. He wanted to step out and let them shoot but he had not the nerve. A man does not fight the swamp his whole life to end predisposed to self-destruction. He closed the door, then the shutters, leaving no light but the red hearth coals glowing like a beacon from the underworld. His last sons had been taken to die and again he remained alive within this room, again powerless to save.

In his hand was the mule whip, which he did not know he had picked up. He curled it and brought it down on his knuckles, crying out at the surprising pain. He recalled the smacks he had given his gentle mules over the years and wondered now that they had not brayed in agony. Again he brought the whip down, then again. His hand bled raw, but if there were pain he no longer knew. He continued, striking his legs, his arms, his back, his face, his groin.

Now in his hand was the poker coming down against his raw knuckles. He brought it down upon the stool, smashing it to fragments. Piece by piece he worked the shadowed cabin room round, meticulously reversing the craft that had attracted the girl Mary Cuombo to her carpenter-love Allen. George was as skillful, leaving nothing unsplintered, nothing hidden.

Finally he flung coals from the fire against the walls, where they heated the logs to ignition. Surrounded by his smashed possessions, he sang the hymn. The logs smoked and sputtered as the moisture in them boiled. Hungry flames hunted along the grain. He fed the sedge broom and the splintered furniture to the flames, prodding with the iron poker like a famished man at a cook-fire. The cabin he had built with his brother Allen and inhabited for three decades, and in which he alone now survived, began to give up. In wild jets the moisture steaming from the cracks convinced him he was firing out a living thing of evil, like burning out the obstructing stump of an ancient giant cypress. Finally he knew this thing of evil, that it was alive, that it had nourished itself by consuming his wife, his babies, his sons. This thing of evil, dying now too late, had hidden in the walls all along. Its steam swirled and cursed as it roared out of the swamp-logs that constituted the cabin. George roared back the hymn, roared the hate and grief of a score of deaths. With his iron poker staff of vengeance and purgation he attacked the spewing flames. His rod cracked new splinters from the solid wood, splinters that ignited to burn out instantly upon their creation the same way all but three of his children had done in this place of doom. "It was Death herself screaming in that place," George told me eight years later. "Lying up silent she was, doing her business in there my whole growed life. Now I had her where she’d always had everyone I ever had. She didn’t like it."

The room was an oven scorching George’s mouth and lungs. The guards outside tried to open the door but George had barred it. One guard rode off to tell Harris while the other continued to guard he knew not what. "I killed Death that day," George told me. "And that made Her so ill with me, that now she won’t come and get me. I got to wait forever, just thinking, unless I can find Her to make it up with Her."

The roof ignited to a heaven of flame. The back wall caved with a shriek of wood, a shriek George knew was Death in rage that he was playing Her at Her own game. Air flooded in and fed the flames into an orb like the sun, so hot and abrupt that the guard out front ran fifty yards.

The inrushing air was cold on George’s lungs after the smoke, and he cursed God that he was still alive to breathe it. Hair smoldering and clothes charring, George let his body escape through the back wall and into the swamp. The guard never thought to look around back of the cabin and its wall of concealing smoke. "I didn’t mean to make Death mad, I just lost my head," old George told me.

From the edge of the swamp he looked back at the fireball. "I seen Death riding up the smoke and never seen Her since though I’m looking every day."


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